friday random ten – “didn’t even realize it was a long weekend” edition

05
Oct

Was so busy this week with all sorts of work things that I totally didn’t realize that Monday was a federal holiday until about 2pm yesterday. It was a nice surprise.

For no particular reason, a playlist:

  1. “We Belong” – Pat Benetar
  2. “The Dance” – Garth Brooks
  3. “Farmhouse” – Phish
  4. “Call It Off” – Tegan and Sara
  5. “Birdhouse in your Soul” – They Might Be Giants
  6. “‎Spår 9” – Frank Zappa
  7. “Veruca Salt” – Danny Elfman (Charlie and the Chocolate Factory OST)
  8. “Take It Back” – Barenaked Ladies
  9. “Perfect” – Alanis Morissette
  10. “Kiss Me Deadly” – Lita Ford

Again, this is just spinning off the hard drive here this afternoon, after a couple of hours of work from the day job that invaded my normal friday off. Most of this week’s actual soundtrack as covered a couple of posts back in the semi-regular CD review column. One that didn’t make that list is the absolutely amazing Theater is Evil from Amanda Palmer and the Grand Theft Orchestra, which I’m totally late to the party on, as all the cool kids laid out their cash for the kickstarter a couple of months back. Alas, I just purchased it at Best Buy on the drive back from the NoVA office yesterday. Timing aside, “Melody Dean” from that particular record has quickly managed to become my favorite pop song for at least the next couple of days, though when “Want it Back” comes on, that position becomes a bit less certain.

takeaway

04
Oct

No matter what else was said in last night’s first Presidential debate, this is the only thing anyone in America is going to remember about it:


stacking the deck: council of spiders: session six

03
Oct

In what feels like the calm before the storm, Imogen finds herself and her companions (most of whom she’s spent the last several weeks adventuring with) in a well-appointed manor house reporting back to the leaders of the allied houses about their adventures, particularly the intelligence gathered about the growing rift between the priestesses of Lolth and the community of wizards within the vast drow city of Menzoberranzan.

The leaders of Houses Melarn and Xorlariin, as well as the mercenaries of Bregan D’aerthe listen to the party’s report with great interest. After the report is concluded, the leaders retire to their various alcoves to consider the information. The party confers amongst themselves regarding the path their allied organization ought to to take in the coming political climate. Do they continue to support the priestesses of Llolth, or the growing cadre of arcane practitioners seeking greater influence and power, or perhaps the path of civil war and chaos?

Xune, mercenary warlock of Bregan D’aerthe loudly and directly proposes stepping back, and supporting whichever side appears to have the most influence and coin, whereas Syndrina, a warlock of house Xorlariin favors supporting the wizard’s bid for power; if not now, then later. Alliandriia, a mid-level priestess of Melarn favors active, direct support of the will of Llolth, and coming down hard on those who would deny the Spider Queen’s authority. Imogen attempts conversation with Cruian, a half-orc fellow slave in attendance, though she finds him too dim and unfocused to influence.

Imogen, for her part, is conflicted. She’s spent most of her life as a slave to House Melarn, and while no friend of Llolth herself (as far as dieties go, she favors the Raven Queen), she has the ear of several prominent members of the house, and has risen to a position well above her station as a common slave; eventual victory by the priestesses of Llolth would continue to guarantee her position within the city. However; whatever influence she wields, she remains a slave. The chaos of open war amongst factions in Menzoberranzan could provide the opportunity for her to escape her bondage and attempt to build a new, free, life on the surface.

The lure of freedom is strong, even if she is frightened of the uncertainty and possibility. She arrives at the decision to subtly sow dissention; working to influence each of her companions to more strongly advocate for their favored position, garnering favor with each of the factions by telling them what they want to hear. Such action may lead to great unrest and conflict, though in the end, she believes that such conflict may be her best chance for freedom.

As the members of her party speak with their house leaders and offer counsel; she remains on the periphery of all the conversations, interjecting subtle comments that encourage the pragmatic greed of Bregan D’aerthe, the fervent faith of House Melarn, and the thirst for power within House Xorlariin.

As the gathering breaks up and the party returns to their individual domiciles to rest and prepare for the next task set before them, Imogen is satisfied in her efforts to gently nudge each faction toward their individual goals, which may, as these goals fall further into conflict, perhaps the immediate future, provide her the opportunity to escape her life of slavery and begin a new life as a free woman of the Realms on the surface.

wherein I take part in the death throes of physical media

02
Oct

I still buy CDs pretty regularly, because I have a CD player in my car that isn’t fancy like the aftermarket one we put in @fairiemom’s car with the USB port and external auxilliary jack and multicolored LEDs and all that
other fun stuff you get with those things. I still need to feed it a disc to get it to make pretty sounds that aren’t the radio, and although it claims to play home-burned MP3 discs, it occasionally gets fussy about things like bitrates and file sizes. So, for reliably rocking the commute, it’s safest to stick with bog-standard red book audio.

In the last couple of weeks, I’ve actually been on a bit of a tear…I think the stack is in double digits since the beginning of September. I blame this mostly on being weak-willed in the face of the Wal-Mart five
dollar bin, my discovery several months ago of indie community radio station WNRN‘s Richmond repeater frequency, leading to my discovery of all sorts of new bands I’ve not encountered before, spurring a BUY ALL OF THE MUSIC THINGS impulse, and, of course, the release of some great new records from friends and acquaintances hitting the internets and spewing out through the lasers of my optical drives onto CD-Rs.

So, the point of all this is that I want to talk about some of these things called albums, before the format dies a grisly, undignified death:

7800° Fahrenheit – Bon Jovi: Yes, I’ve owned this one for decades on cassette, but my only cassette player is a second-hand JVC double-deck unit I picked up at Goodwill last summer, which is nice, but doesn’t plug into my car. I saw this one sitting on top of the bin at Walmart one Monday morning during my regular “pick up the toiletries I forgot to pack” stopover portion of one of my business trips. It seems that 7:50am is the time when my will is weakest (some of you may want to make note of that), so I bought this as well. Unlike some of these “revisit my youth” experiments, this record continues to hold up. It’s still a developmental record for a young band; the first full project of the “classic” line-up, still trying to find their sound. The only track from this one to make the greatest hits collections is “In and Out of Love”, which isn’t a bad hard rock tune with swirly keyboards under it, but for my money, the best tunes in the collection are “Only Lonely” and “Price of Love”, which both come with great hooks and a pleasant Aldo Nova vibe. Special credit goes to “Silent Night”, which probably counts as one of the first solid examples of the hair metal power ballad, a genre which launched a million unrequited radio dedications and inconvenient tumescence at middle school dances, but as far as I know, it’s the only one with that such a great locking-tremelo driven guitar lick all over it.

Laser Zombie Robot Love – John Anealio: John, as regular readers of this site surely know, is a talented musician working within the filk milieu whose work (and twitter banter) I enjoy quite a lot. This collection is his second LP length collection, and contains 11 great tunes (and 9 remixes) running the gamut of geekdom, sci-fi, literature, technology, and Batman. The “hit” here is probably the popular “George R.R. Martin is Not Your Bitch” referring to the classic Neil Gaiman blog rant about the Song of Ice and Fire author’s writing schedule, which predates Paul and Storm’s excellent “Write Like The Wind” by several months. My standout favorite on this disc is the Rick Springfield-esque “Steampunk Girl”, though cases for greatness can be made for nearly every track, particularly “Pr0nbot” (takes a universal twitter experience and turns it into art), “NaNoWriMo” (which captures the pressures of some of our Novembers *very* well) and “Batman Smells (A Rebuttal)”, which most of you can probably find context for. I’ve enjoyed it greatly so far, and I think you probably will too – you should go and buy it.

Babel – Mumford and Sons: You might recall that last year’s Sigh No More from this band was one of my musical highlights of the year (I mentioned it a bit on this blog, but if you caught me in person last summer at all, I almost surely subjected you to my fanboy ravings about how good I thought it was). This disc, the follow-up effort, hit the streets last week, and since I picked it up on Friday, it’s been on heavy rotation in my personal soundtrack. If you liked the last one, you’ll like this one too; it’s got a very similar vibe; all close harmonies and wall-of-sound acoustic instruments with liberal use of banjo and drony electric guitars filling out the back end. the lead single, “I Will Wait” has been rattling around in my head thanks to heavy play on my indie radio station of choice, though at this point, the whole package is kind of running together for me – It’s all good, though the rest of the tunes aren’t differentiating themselves for me, except for the bonus cover of Paul Simon’s “The Boxer” (I got the deluxe edition), which has a proven track record of irresistability. The overall verdict on this one is that it’s uniformly excellent, but not quite the “I’ve never heard anything like this before” kick in the pants that the first record was. I’m sure this one will
grow on me in the months to come.

Aftermath of the Lowdown – Richie Sambora: I wasn’t aware this record even existed until John Anealio (see above) raved about it on twitter, and despite my serious disappointment with Sambora’s
last solo record in ’98 and most of Bon Jovi’s output since about the same time, I took a chance on it, and was quite a bit more than pleasantly surprised. It’s an excellent record – assuming it gets the proper exposure in the right places, it could be one of those releases that re-defines a career. Lyrically, Sambora draws quite a bit on his life experiences over the last decade and change; let’s just say he’s had a couple of low points; most of the tunes here deal with his recovery and emergence in a simple and direct way, avoiding a lot of the schmaltz and cliche he’s tended toward in the past. The real revelation here, though, is the music. No one expected a
seemingly indulgent solo record from an 80s guitar dinosaur to sound so current. There are touches of modern and indie rock all over this – the lead single “Every Road Leads Home To You” has a definite Coldplay vibe, though with a hell of a lot more edge to it. I’ve been saying for years that somewhere along the line, Bon Jovi forgot how to rock – I am duly chastened. I hereby amend my statement to say that Sambora’s just been saving up all the rock for this record. Tracks like “Burn the Candle Down” and “Nowadays” pack a serious punch, all distorted guitars and frentic rhythms. Even the down-tempo tunes like “I’ll Always Walk Beside You” have this sort of slow-burn quality – they start out mild and mellow, but build up to something bigger and more powerful by the end of things. The first 9 tracks of this record are pretty much the best work of Sambora’s career; I hope it gets the exposure it ought to – in the meantime, I’m going keep listening to it and pretend that Undiscovered Soul never happened.

Secret Rituals– The Grates: I don’t really know much about this Australian power pop duo, though I heard “Turn Me On” played on WNRN the other week and it stuck with me; The record was only five bucks and change on Amazon MP3, so I snagged it, and have been enjoying the heck out of it. I described it to someone a couple of days ago as something like “Liz Phair singing for the White Stripes”, but that’s not totally accurate – after listening a bit more, I’m getting much more of a Raveonettes vibe, only with a bit less lo-fi and a bit more electronics playing in the background, with maybe a touch of the Breeders with some of the agression filed off. I’m seriously digging the pop sensibility the group displays on tunes like “Crying All Night”, which has a great sort of retro 80s new wave thing going on, but still sounds completely immediate. The whole thing is full of great little arrangements – the sweet little melody on the opening verse of “Welcome to the Middle”, suddenly punctuated with the jarring trebly electric guitar jolts on the the upbeats going into the bridge. If you like power pop, this is a disc you should be tracking down immediately.

Another Creepy Christmas – Jonah Knight: This disc is currently out for manufacturing, though since I threw in on the kickstarter, I got the download early. Jonah’s theory here was to take the normally cheery and saccharine elements of typical Christmas music and turn them on their heads; if you look at the holiday just right, there are a lot things that are rather sinister just below the surface. That’s the area Jonah spends most of this record exploring. For example, remove two words from the chorus of “Santa Claus is Coming To Town“, and one is no longer so sure they want him coming around after all. Make a few adjustments to “We Three Kings”, and you’re suddenly talking about Lovecraftian horrors rather than the King of Kings. It’s not all horror and dread, though: Mikey Mason’s guest turn on the duet “What Christmas Means to Me” plays up the humor as counterpoint; as do some of the tunes which address Christmas traditions from other countries, including Iceland’s “Yuletide Lads” and Central Europe’s Krampus. Overall though, expect an engaging combination of Jonah’s eerie wit, impressive musicianship, and atmospheric delivery for an entertaining holiday listening experience. Keep an eye on Jonah’s site for updates about when you can purchase this one!

under the moon with the local cryptids

01
Oct

I spent much of this weekend camping with the boy child and several of his peers at the local boy scout reservation for the fall camporee event. Given the weather (pounding rain Friday night, leading to local power outages and flooding), the senior cubs (which my kid is) ended up, due to both mobile phone confusion and said weather, arriving early Saturday morning rather than Friday night. Thus, we set tents up on wet ground, but not actually in the rain.

Much time was spent rotating between stations for demonstrating scout skills like first aid, wilderness search and rescue, and fire building with flint and steel; and for trying out cool stuff, like paintball, slingshots, and spear “fishing” (throwing bamboo spears at balloons floating on the pond). My particular child only ended up getting separated from the group and lost twice.

These things always have a theme – this one was “M*A*S*H” (one of the kids said, and I quote: “my dad said there used to be a TV show”). There were lots of olive drab t-shirts, a neat little home-made directional pole showing the mileage to the home bases of all the troops present, and displays of military equipment from WWII through the present day, including demilitarized firearms and a couple of Korean War-era JEEPs and trucks, courtesy of Army recruiters and a couple of local collectors. Frankly, given the presence of real, live items like the Kalashnikov AK-47, the M60 machine gun, and the M2HB heavy machine gun (the latter two in emplacements with sandbags, tripod mounts, and dummy ammo belts), I’m surprised the boy didn’t wet himself with excitement.

A good time was had by all, and I’m pretty sure the boys learned something. Heck, I learned things from some of the senior scouts about camp cooking – I have a couple of cool recipes I’m looking forward to trying out in the future.

The coolest part of the weekend, though, was the appearance of an interesting neighborhood creature heretofore unknown to most of us. On Friday night, one of my fellow adult volunteers noticed some strange lights on the ground, as if someone cracked open a glow stick and spattered the interior liquid on the ground around the base of a tree. Upon closer examination, it turned out to be something much cooler – dozens of multi-legged worm-like critters with bioluminescent patches on their bodies!

A bit of research on available smart phones identified these creatures as genus phengodes, the glow worm, the larvae (and larviform female) of a species of beetle, one of the handful of bioluminescent land animals that live in North America. None of us knew these things even existed. But sure enough, they showed up again on Saturday night, which made us all very happy, and amazed at the wonders of nature. Sadly, none of the photos any of us tried to take came out, but imagine the ground covered with about a hundred of these little guys (or ladies, more than likely), each around a half-inch long:

So yeah, that was pretty neat. Saturday night was absolutely gorgeous for sleeping under the stars (ensconced in a tent, of course), with clear skies and a beautiful full harvest moon that was so bright that I had to cover my eyes with a t-shirt in order for it to be dark enough to sleep, and none of us needed flashlights to illuminate our midnight trips to the latrine. Sadly, all our phone and camera batteries were toast, so I wasn’t able to take a picture. Wouldn’t have done it justice anyway.

Yep. Not a bad way to spend a weekend.

shifting political winds – council of spiders, session five

27
Sep

““My, my…haven’t you started a delightful little war!”

Upon hearing those words from the well-dressed drow gentleman with the rapier pointed at her party, Imogen felt a moment of disorientation, and found the world around her once again shifted. The circumstances were the same, though her companions were once again those with whom she fell in the battle with the deep gnomes.

As before, she questioned her perceptions, though pushed things aside as a matter of magic working in mysterious ways. These shifts of perception may be dangerous, but all things equal, her shifting perceptions weren’t pointing a blade at her throat at the moment; better to deal with the matters at hand before speculating about the whims of the universe.

The mysterious drow introduced himself as Merinid Dalael, though refused to name his allies, only saying that they were no friend of the Lolth, the Spider-Queen. Further questioning indicated that Hostar, the “kidnapped” drow, was a “guest” in the compound; alive for the moment, though one who wouldn’t be leaving any time soon.

Imogen focused her mental energy and attempted to influence Dalael to release Hoshtar to the party, though her more experienced opponent immediately saw the attempt for what it was. Dalael advised the party’s Melarn priestess to “better control her slave”, but also indicated that (as House Melarn suspected) Hoshtar had come to meet with the Council elders of his own free will. He also indicated that that meeting had been cut short, and that the Elders would never speak again, thanks to his intervention.

Imogen’s drow companions were momentarily stunned by this revelation. Imogen, though, took the opportunity to conjure ghost sounds of a struggle coming from the door behind Dalael, hoping to elicit more information. The man is momentarily startled, muttering quietly “not yet…not yet”, before falling into a combat stance, favoring the party with a haughty laugh, telling them that their mere presence here has already served his purpose, and that they were mere pawns in much larger game. The party braced for his attack, not entirely expecting him to quickly disappear through the doors behind him, followed by the appearance of two humanoid creatures made of shadow in his place…

The party’s fighter and warlock launched into the fray, immediately attempting to engage the enemy shadow creatures, who were soon joined by larger humanoids clad in dusky armor, who attempted to control the flow of battle in the small room. Mightly blows are traded by the melee combatants, while Imogen attempts to turn the enemies against one another, and the party’s other wizard calls down the elemental power of lightning to strike several foes at once.

The battle rages, flowing into the hallway behind the doorway; it almost appears as if they combatants are leading the party there. The figher falls to one of the armored abominations, though is soon raised by the priestess, who then strikes down one of the shadow creatures with a mighty blow from her mace. The fight continues down a narrow corridor, the fighter pressing the advantage, and the shadow creatures falling back strategically. The party’s other wizard attempts to flank the enemy by approaching from an adjoining hallway, eventually making his way to a position behind some of them, launching bolts of force and allowing the melee combatants to slay two of the smaller creatures. They fall, though not before triggering what could be described as a death curse: a cloud of magickal obscuring mist with the power to blind their enemies, in this case, the fighter and priestess.

Imogen advances cautiously behind the main line of battle, working where she can to arrange the battlefield to the advantage of her companions, particularly the war wizard, who is able to launch a powerful blast of flame into a group of enemies as the priestess and fighter work to shake their arcane blindness.

The battle flows further through the narrow hallway, eventually arriving in a well-well appointed magical library and laboratory. Standing in the center of the room, in front of a table festooned with volitile alchemical reagents is Merinid Dalael, holding a gleaming dagger to the throat of a bound and gagged Hoshtar!

The remaining armored shadow creature blocks entry to the room, though is standing close enough to Dalael for Imogen to strike, forcing powerful illusions of a widening chasm under the feet into the minds of her adversaries, causing them to fall to the ground, immobile and psychically damaged. The war wizard follows up this attack with another gout of flame, felling the final shadow and setting the area, including Dalael, alight with magickal flame.

With Dalael bloodied and immobile, Imogen attempts to once again negotiate Hoshtar’s release and perhaps Dalael’s surrender. He resists, however, driven by his desire for chaos and war. he is eventually felled by the warlock’s enchanted blade, taunting the party as he expires, ranting about how the war cannot be stopped, that “the wizards of the city will not allow the slaughter of so many of their own to go unpunished! Tension is already at a boiling point, thanks to the Avatar of Lolth! You have simply provided the spark to ignite the flames!”

The party questions Hoshtar, who provides some context to the situation. He did, in fact, come to this location willingly, at the invitation of his cousin, a wizard of house Xorlarrin, to speak to a representative of the council about it’s aims. That representative, as well as his cousin, lie dead on the floor of the laboratory. they’d hoped to secure Hoshtar’s support to their cause, to increase the power and influence of the wizards of Menzoberranzan through political means. Hoshtar rebuffed their advances, of course, and professed loyalty to Lolth. Dalael interrupted the meeting with his shadow creatures, however, slaying the Council wizards and drawing the attention of the priestesses of Lolth, who sent the party to intervene, leading to an insurmountable rift between the priestesses and wizards, igniting a civil war within Menzoberranzan.

Imogen, upon examining the bodies of the fallen, recognizes the shadow creatures as having historical ties to the Shadowfell, the dark realm of the fey. In the great drow city’s history, these sorts of creatures have always been tied inextricably to one group; a secretive group of assassins seeking to upset’s Lolth’s tyranny over the city, who, in centuries past, have set armies of orcs and duergar (corrupted dwarves) against Menzoberranzan. Sowing conflict between the servants of Lolth and the city’s community of wizards would certainly further the assassin order’s aims.

She shares this knowledge with the party, as they divide up the spoils of war – coin and magickal artifacts. As the drow argue over who should take posession of a set of enchanted armor, Imogen deftly pockets a magickal crystal orb she finds secreted away on a dusty bookshelf. She does not share news of this discovery with her companions.

The party, with Hoshtar in tow, returns to their patrons with the results of their mission. The house leaders listen patiently, left with much to think about. The spectre of war looms over the city, and wizards who they thought to be allies have sought to meet secretly with enemies of Lolth. The future of the city, and the dominion of the servants of Lolth is at risk. The leaders retreat to their various lairs with much to think about.

For her part, so does Imogen. As a part of House Melarn, her interests lie with preserving the status quo with power in the hands of Lolth’s priestesses. However, as a slave, unrest within the city might mean a chance for escape to the surface and freedom from her chains. Indeed, she has much to consider about her actions in the days to come.

music and healing

26
Sep

During the experience I recounted in my last post, I had the pleasure of learning a bit more about a group that’s doing some really great work in my community (and many others across the country) that I thought I’d share with my small but dedicated audience: Guitars for Vets.



The idea behind the group is simple and intuitive: provide musical instruments and lessons to veterans, and through doing so, create opportunities for positive social interaction, learning, therapeutic benefits (the group works closely with the VA to integrate music lessons in to treatment regimens), and self-expression. Since 2007, Guitars for Vets has helped over 1000 veterans along the road to physical and emotional recovery through “the healing power of music”.

Including my friend Sam, who told me about the group. I can see the positive influence participating in the group’s efforts has had for him, and I hope it’ll continue to do the same for others.

So, if you’re looking for a worthy cause to support with your time or resources, I humbly suggest you take a look at Guitars for Vets – they’re doing good work.

six strings or four – do you feel lucky?

25
Sep

This week I joined a “guitar ensemble”.

It’s a short-term commitment, with a performance of a couple of instrumental pieces coming up in a couple of weeks. If this experiment is a success, there will likely be more performances down the road. It’s all very low pressure, and designed for players of all levels; it’s just as much a social outlet as it is a performance group. I think it’ll be a good experience.

Last night we started working through some variations of the folk hymn-tune “Forest Green”, putting it through a few different time signatures and arrangements – what the final piece becomes is still a bit in flux, as the idea is that it be a “collaborative” effort of the participants, each adding their own spin on things.

It turns out I’m one of the more advanced players in the group (my venerable and hacked-above-it’s pay grade Fender acoustic is older than the combined experience of about half the performers), so I’ve been doing a bit of teaching and coaching along with my playing, which, so far, has been a good experience.Also, I’m not actually playing guitar on this piece. An odd occurrence in a guitar ensemble.

For kicks, I brought the ukulele along to rehearsal, the presence of which caused much excitement amongst the group (another member brought along an autoharp, though it experienced a few technical difficulties). Hence, I’m the ukulele player, laying some top-end counterpoint to the wall of sound created by seven or eight acoustic guitars. Finally, an excuse to really learn how to play the little beast.

Having never played the uke as part of an ensemble of much larger instruments before, I learned something – the ukulele, even a concert ukulele like mine, is very small, and doesn’t project nearly as much sound as your average dreadnaught folk guitar. Thus, I found myself seriously hammering on the strings with a nylon guitar pick in order to be heard above the fray, creating a sound not unlike a mandolin, which fit well with the folk-bluegrass-esque lines I was playing, and adds a nice novelty to the sound.

“Master of the Bluegrass Ukulele”. I think I’ll print up business cards.

friday random ten – “screaming pre-schooler” edition

21
Sep

From my end, this playlist was continually in jeopardy of being drowned out by the sounds of a five year old who really didn’t want to get her hair brushed.

  1. “Ninevah” – Big Back Forty
  2. “Tamacun” – Rodrigo y Gabriela
  3. “What A Way To Go” – The Clarks
  4. “Magic” – The Cars
  5. “Can I Play With Madness” – Iron Maiden
  6. “Humans Being” – Van Halen
  7. “The Human Hosepipe” – Harry and the Potters
  8. “Potion Approaching” – Arctic Monkeys
  9. “Silently” – that dog.
  10. “Can’t Buy Me Love” – The Beatles

Hope your soundtrack for the day and the weekend is pleasant and enjoyable. Got anything interesting spinning?

a new mission – council of spiders, session four

19
Sep

Imogen, the human slave to the great drow noble House Melarn finally regained consciousness. She found herself once again surrounded by her familiar drow companions; Xune the mercenary warlock, Syndrina, the hexblade of House Xorlariin, and Aliandriia, the priestess who served as her Melarn overseer on this particular mission. She was confused about the memories of falling to the wrath of the deep gnomes in the company of strangers, and was unable to recall the victory her companions spoke of, over a group of hobgoblins led by the renegade priestess, who lay bound and gagged against the rough-hewn stone walls of the temple she found herself in.

there was no point in concerning herself at the moment; the arcane forces that lent her her power over others’ perceptions and emotions was mysterious, and not to be questioned. She was in the temple she sought, before the altar the party was charged to find; the altar her masters insisted she anoint with the vial of unholy water in order to ensure the ritual to be performed channeled the magickal energies properly. Syndrina was already unpacking the scroll containing the incantation. She had to act quickly…

Summoning her power, she pushed firmly yet subtly against the minds of her companions from rival houses, rousing their basest desires, focusing them on her own not unattractive form; using her inherent sensuality to distract them while at the same time summoning a spectral mage hand carry the vial of unholy water toward the altar. Xune was momentarily distracted by her lustful advances, though regained control soon enough; slapping Imogen in rebuke. Her strike broke the mage’s concentration on the cantrip, but not before the the spectral hand was above the altar; as it dissipated, the vial fell, breaking on the altar’s worn stone stone surface. It was enough; her task had been completed: the altar was anointed.

The ritual performed, the party returned to the great subterranean city of Menzoberranzan, where they were greeted once again by representatives of the leaders of the allied Houses. The party is given another mission; to investigate the kidnapping of a prominent drow noble, Hoshtar, by a rival house, known for heretical activities. The party was to investigate the abduction, and rescue the victim if possible, but under no circumstances were they to be captured, less they be disavowed.

The great priestess Ash’ala of House Melarn then pulled Imogen and Aliandriia aside after the briefing. She confides that she suspects that Hoshtar was a traitor himself and met with the heretics willingly. She charges her subordinates with the task of learning the truth, and reporting it back to her.

After a short rest and resupply, the party stealthily enters the heretic’s lair, a seemingly abandoned manor in an ancient quarter of the city. In the manor’s foyer, the party encounters a pair of nervous guards. Xune convinces them that the party is expected, though they insist on checking with their superior, a wizard garbed in the mask of House Xorlariin. the wizard is incredulous. Imogen attempts to entrance the mage’s mind, but he proves to powerful; he orders the guards, as well as a retinue of drow wizards, to attack the intruders.

Xune immediately envelops the chamber in a cloud of magickal darkness, obscuring the combatants’ vision. Imogen casts out against the will of her attackers, dazing several of them, giving her companions advantage.

While Xune stealthily maneuvers the battlefield, striking invisibly from darkness against several arcane adversaries, Syndrina and Aliandriia launch a frontal assault on the armed guards. The enemy wizards, however, continue to press their advantage with bolts of poison and arcane lightning, striking, and eventually felling Syndrina and critically wounding Aliandriia, and knocking Imogen prone with an errant bolt of electricity.

While Aliandriia calls on the power of Llolth to heal herself and Syndrina, Imogen remains prone, striking with her unerringly accurate magic missle at several attackers, while Xune continues to strike from shadow, defeating numerous adversaries.

Though weakened, the attacking party of wizards continues to launch arcane bolts of lightning against the party, knocking Syndrina out of the fight again, and felling Aliandriia with the power of magical poison. Xune, summoning the strength of the Deep Ones, launches a furious assault with her magically summoned flail, killing all but one seriously wounded magician.

Imogen stands, her health renewed, and dispatches the vulnerable adversary with a disdainful look and a powerful bolt of force.

After treating the wounds of their fallen companions, the party advances, descending an ornate spiral staircase, to find themselves in a stately library, facing a particularly noble looking drow, who gives them an appraising look, and quips:

“My, my…haven’t you started a delightful little war!”

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